Hipermembrana Promo 2007

Preview of Marcel·lí's new performance HIPERMEMBRANA which will be premiered at Festival Temporada Alta de Girona and Art Futura Barcelona 2007.

Murale Protomembrana at Gallarate 2007

Murale Transpermia at Gallarate 2007

DMD Europa

Dynamic Mural is an interactive installation that shows a mural that was painted over a period of a week in a film that's only a few minutes long. Spectators can interact by changing the perspective and the speed of the projection.

Marcel·li Antunez - Transpermia 2003

A mechatronic conference presenting the Dedalus project and its micro performances at zero gravity as well as the Transpermia theory.

Marcel·li Antunez - POL 2002

A mechatronic story for five robots, a panoramic screen and two performers wearing dreskeletons (exoskeletal body interfaces)

POL is a story told by means of a mechatronic performance. It is an ironic and poetic fable for all ages, a scenic mutation resulting from the meshing of machines, images, sounds and performers.

Marcel·lí Antúnez - Epizoo 1994

Interactive mechatronic performance presented for the first time in 1994. A body robot, in the shape of a pneumatic exoskeleton, enables the spectator to control the performer's body using a mouse.

Marcel·lí Antúnez - Aphasia / Afasia

Interactive Mechatronic Performance. One performer wearing a dreskeleton (an exoskeletal body interface) narrates a myth accompanied by four musical robots, interactive sound, virtual images and video.

Biography

Marcel.lí Antúnez Roca is well-known in the international art scene for his mechanotronic performances and robotic installations. In the nineties his avantgarde mechatronic performances combined such elements as Bodybots (body-controlled robots), Systematugy (interactive narration with computers) and Dresskeleton (the exoskeleton body interface).

The themes explored in his work include: the use of biological materials in robotics, as in JoAn l’home de carn (1992); telematic control on the part of a spectator of an alien body in the performance EPIZOO (1994); the expansion of body movements with dresskeletons (exoskeletical interfaces) sed in the performances AFASIA (1998) and POL (2002); involuntary choreography with the bodybot REQUIEM (1999); and microbiological ansformations in the installations RINODIGESTIO (1987) and AGAR (1999). He is currently working on the spatial and utopian artwork TRANSPERMIA.

Official Website